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致爱丽丝钢琴曲
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岩疆和岩光是堂兄弟,分住在边境线的两边。兄弟俩同好友伲族女孩莎露从小一块玩一块成长。姑娘爱上了哥哥岩疆。但由于父辈间的仇恨,三个伙伴分开了。 转眼十年过去了。岩疆成为了一名缉毒英雄。境外的毒枭正实施一个贩毒计划。岩疆回来接受任务。为了截住毒流,已有几名边防缉毒干警倒在了毒贩的手雷下。岩疆以他的机智、果敢层层揭开了毒枭的网络。然而他震惊地发现贩毒计划的参与者中有他的堂弟岩光。计划的头领竟是他日夜思念的爱人莎露。岩疆经历着爱与恨的磨练。 又在那条熟悉的边境线上,三个昔日好友又见面了,但却是站在敌我的两个阵营来决战的。岩疆最终和战友一起挥舞正义之剑,破获了敌人的贩毒计划……。1919年俄国革命后,内战爆发,在伏尔加河平原上,不少匈牙利人加入了苏维埃红军同白军展开消耗战……一名来自匈牙利的红军士兵被杀死在村边的河流中,白军驱车在村庄宣传,似乎胜利已经在握。落魄的红军战士跑回营地,而那里同样有白军俘虏,红军除去俘虏的衣服羞辱他们,但是转眼间营地又被白军包围, 这次失去军装的是红军士兵,一身军装成为了人们区分敌我的唯一标示,抹消对方身份和屠杀的报复行为在两方间周而复始……几个红军战士逃出营地,在白军的围追中亡命天涯,而他们所遭遇的一切,注定是以死亡为终结的无奈循环。 本片是匈牙利新浪潮的代表作之一。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。